Small Casket

Lacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques

Lacquer

Lacquer, brown with red underlayer.

Maki-e designs in gold and silver on nashi-ji lacquer ground

Han painted lacquer: reddish-brown and black lacquers over wooden core, with designs painted in lacquer and with metal mounts (probably tin)

Monochrome lead-glazed ware: molded white earthenware with lead-fluxed emerald-green glaze on the exterior and lead-fluxed clear glaze mottled with green on the interior. Probably from kilns at Luoyang or Gongxian, Henan province.

Yaozhou ware: light gray stoneware with celadon glaze over carved decoration. From the Yaozhou kilns at Tongchuan, Shaanxi province.

Carved rhinoceros horn

Lacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut silver)

Lacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]