18th century
3.2 x 8.9 x 5.1 cm (1 1/4 x 3 1/2 x 2 in.)
Ebenezer Storer. By descent through family to Mrs. Francis Storer. Gift to Fogg Art Museum, 1955.
Enameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Longqing nian zao" within a double circle on the base
16th centuryChineseLacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings
16th-17th centuryJapaneseLacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; [modern] silver fittings
16th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
17th-18th centuryJapaneseWhite ware: white stoneware with clear glaze over molded elements
8th-9th centuryChineseMetal
18th-19th centuryRussianKamakura-bori; black and cinnabar lacquers over a carved wooden core
14th-15th centuryJapaneseLacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques
17th centuryJapaneseStoneware with brown glaze
9th centuryChineseYue ware: light gray stoneware with celadon glaze over incised decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
10th centuryChineseSilver
Unidentified cultureYue ware: light gray stoneware with celadon glaze over incised and carved decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
10th-11th centuryChinese