18th century
3.2 x 8.9 x 5.1 cm (1 1/4 x 3 1/2 x 2 in.)
Ebenezer Storer. By descent through family to Mrs. Francis Storer. Gift to Fogg Art Museum, 1955.
Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; metal fittings
17th centuryJapaneseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips
13th centuryKoreanLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, with applied kirigane (cut gold and silver) and with glazed-ceramic, ivory, mother-of-pearl, coral, and malachite inlays; stone and metal fittings
18th centuryJapanesePale greenish white nephrite with white inclusions
18th-19th centuryChineseSilver
17th centuryBritishLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with sprinkled raden (mother-of-pearl) flakes
16th-17th centuryJapaneseKamakura-bori (lacquer on carved wood)
18th centuryJapaneseEnamel
20th centuryGermanPale greenish white nephrite
18th-19th centuryChineseRattan
19th centuryIndonesianHuangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
16th-17th centuryJapanese