probably Colonial or Repubilcan period, 20th century
H. 3.6 x Diam. 5.5 cm (1 7/16 x 2 3/16 in.)
Shirley Nye (d. 2003), New York (by 1999), gift; to Harvard University Art Museums, 1999.
Wood
19th centuryTibetanLacquer on wood
19th centuryThaiLacquer on wood
JapaneseMaki-e lacquer
19th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone, metal, and enamel fittings
17th centuryJudaeanLacquer on wood
JapaneseRosewood with metal (brass and copper?) fittings, the interior of the box lined with silk damask
18th centuryKoreanLiao sancai ("three-color") ware: molded ivory-hued earthenware with lead-fluxed, emerald-green and caramel-yellow glazes
11th-12th centuryChineseLacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques
17th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
17th-18th centuryJapaneseWood
19th-20th centuryThaiEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Longqing nian zao" within a double circle on the base
16th centuryChinese