Monochrome lead-glazed ware: molded white earthenware with lead-fluxed emerald-green glaze on the exterior and lead-fluxed clear glaze mottled with green on the interior. Probably from kilns at Luoyang or Gongxian, Henan province.

9th-10th centuryChinese

Boxes

Cigar Box

Unidentified Artist, 20th century

Mahogany and brass

20th centuryAmerican

Boxes

Hatbox

Unknown Artist, probably 19th century

Lacquered Papier-mâché

19th centuryKorean

Boxes

Covered Circular Silver-Form Box with Floral Decor

Unknown Artist, 11th-12th century

Yaozhou ware: light gray stoneware with celadon glaze over carved decoration. From the Yaozhou kilns at Tongchuan, Shaanxi province.

11th-12th centuryChinese

Boxes

Snuff Box

Maker's mark JW, 1897-1898

Silver

19th centuryBritish

Boxes

Long Scroll Box (Nagafubako) with Wild-Carnation Crest Design

Unknown Artist, Style of the Muromachi period, late 15th or early 16th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques; metal fittings

15th-16th centuryJapanese

Boxes

Jade Circular Covered Box with Floral Decoration and with Poem Inscribed on the Cover

Unknown Artist, late 18th-19th century, probably 19th century

Grayish nephrite with off-white inclusions

18th-19th centuryChinese

Boxes

Small Jade Square Covered Box with Rounded Corners and with Stylized Floral Decor (One of Two)

Unknown Artist, late 18th-19th century, probably early 19th century

Pale greenish white nephrite

18th-19th centuryChinese

Boxes

Wooden Box (Contains the Buddhist Monk's Kit of 9 Implements)

Unknown Artist, 19th century

Wood

19th centuryTibetan

Boxes

Pair of Covered Boxes

Benjamin Pyne, 1690-1691

Silver

17th centuryBritish

Boxes

Oval Tsugaru-nuri Inkstone Box (Suzuribako) with Sage, Attendant, and Crane Design

Ogawa Haritsu, Mid Edo period, early 18th century

Lacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays

18th centuryJapanese