BoxesJapanese17th-19th century

LACQUER SUTRA CASE

Edo period,

Classification

Boxes

Medium

Lacquer on wood

Culture

Japanese

Period

Edo period, 1615-1868

Century

17th-19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

40.96 x 10.8 cm (16 1/8 x 4 1/4 in.)

Related Artworks

Boxes

Inkstone Box (Suzuribako) with Intertwined Pine and Cherry Tree Design

Unknown Artist, Early Edo period, early 17th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver) and silver inlays; stone, metal, and enamel fittings

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Small Round Incense Box

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Red lacquer

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Covered Circular Box with Dragon-and-Phoenix Decor against a Floral Arabesque

Unknown Artist, Wanli period, 1573-1620

Enameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt blue mark reading "Da Ming Wanli nian zhi" within a double-square set within a "ruyi" cloud-scroll border on the base

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Marble

Mirror Box (Kagamibako) with Flowering Cherry Tree Design

Unknown Artist, Momoyama period, late 16th to early 17th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques

16th-17th centuryJapanese

Boxes

Tiered Incense Container (Jūkōgō) with Crane, Turtle, Pine, and Bamboo Design

Unknown Artist, Early Edo period, 17th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques

17th centuryJapanese

Boxes

Mirror Box (Kagamibako) with Pine, Bamboo, Crane, and Turtle Design

Unknown Artist, Early to Mid Edo period, late 17th or early 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

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Boxes

Wakasa-Nuri Inkstone Box (Suzuribako) with Double Inrō-Ensemble Design

Unknown Artist, Late Edo period, late 18thcentury-early 19th century

Lacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings

18th-19th centuryJapanese

Boxes

Scroll Box (Fubako) with Miscellaneous Crest Design

Unknown Artist, Late Edo period, late 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord

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Boxes

Inkstone Box (Suzuribako) with Tiger and Bamboo Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold); stone and metal fittings

18th centuryJapanese

Boxes

Small Circular Covered Silver-Form Box

Unknown Artist, 9th century

Huangpu ware: light gray stoneware with dark brown glaze. From the Huangpu kilns, Tongchuan, Yaozhou county, Shaanxi province

9th centuryChinese

Boxes

Snuffbox

Unknown Artist, 18th-19th century

Metal

18th-19th centuryRussian