1690-1691
Square straight-sided form with canted corners, the sides flat-chased with Chinoiserie exotic birds and foliage; the removabel covers with reeded borders, chased with entwined dolphins above a fountain enclosed by exotic foliage.
1949.114.87.1: 6.7 × 12.7 × 12.7 cm (2 5/8 × 5 × 5 in.) 1949.114.87.2: 6.7 × 12.7 × 12.7 cm (2 5/8 × 5 × 5 in.) 789 g
Archibald Alexander Hutchinson, New York, bequest; to the Fogg Art Museum, 1949.
Metal
18th-19th centuryRussianInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips
13th centuryKoreanBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings
18th centuryJapaneseKamakura-bori; black and cinnabar lacquers over a carved wooden core
14th-15th centuryJapaneseLacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques
18th-19th centuryJapaneseLight gray stoneware with iron-saturated russet-brown and black glaze
20th centuryJapaneseSilver
19th centuryPersianLacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings
17th centuryJapaneseOff-white nephrite
18th-19th centuryChineseHuangpu ware: light gray stoneware with dark brown glaze. From the Huangpu kilns, Tongchuan, Yaozhou county, Shaanxi province
9th centuryChinesePainted celadon ware: molded light gray stoneware with celadon glaze over decoration painted in copper-red and in black and white slips. Reportedly recovered in Changhŭng, South Chŏlla province, in 1963.
13th centuryKorean