1690-1691
Square straight-sided form with canted corners, the sides flat-chased with Chinoiserie exotic birds and foliage; the removabel covers with reeded borders, chased with entwined dolphins above a fountain enclosed by exotic foliage.
1949.114.87.1: 6.7 × 12.7 × 12.7 cm (2 5/8 × 5 × 5 in.) 1949.114.87.2: 6.7 × 12.7 × 12.7 cm (2 5/8 × 5 × 5 in.) 789 g
Archibald Alexander Hutchinson, New York, bequest; to the Fogg Art Museum, 1949.
Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques; metal fittings
15th-16th centuryJapaneseQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseRed lacquer
ChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryWhite stoneware with clear glaze
8th-9th centuryChineseHuangpu ware: light gray stoneware with dark brown glaze. From the Huangpu kilns, Tongchuan, Yaozhou county, Shaanxi province
9th centuryChineseLacquer
JapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold and silver)
18th centuryJapaneseYue ware: light gray stoneware with celadon glaze over carved decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
9th-10th centuryChineseCast iron with localized areas of gilding; the interior of the box and cover lined with hammered silver purportedly designed by Miochin (1624-1642)
17th centuryJapaneseLacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques
18th-19th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKorean