Early Edo period, 17th century
H. 4.7 x W. 21.7 x D. 23.2 cm (1 7/8 x 8 9/16 x 9 1/8 in.)
Yue ware: light gray stoneware with celadon glaze over carved decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
9th-10th centuryChineseWood
19th centuryTibetanEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels
17th centuryChineseLacquered wood with brass fittings and with inlays of mother of pearl, tortoiseshell, twisted wire, and metal filings
19th-20th centuryKoreanYue ware: light gray stoneware with celadon glaze over incised and carved decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
10th-11th centuryChineseNegoro ware; red and black lacquer on wood
18th-19th centuryJapaneseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseLacquered Papier-mâché
19th centuryKoreanIvory plaques mounted on oak, with gilt bronze fittings
12th centuryItalianLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold and silver)
18th centuryJapaneseLacquer
18th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques and with glazed-ceramic and raden (mother-of-pearl) inlays; stone and lacquered-copper fittings
18th centuryJapanese