Covered Hexagonal Box, the Cover with a Stylized "Double Hŭi" Character, the Box with Characters round its Sides Walls Reading Su, Pok, Kang, Nyŏng, Ta, and Nam, all the Characters on Box and Cover Set against a Nwi-mun (Chinese, Leiwen) Ground

Liao sancai ("three-color") ware: molded ivory-hued earthenware with lead-fluxed, emerald-green and caramel-yellow glazes

Tortoise shell, with brass fittings and painted lid

Silver

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings

Ivory plaques mounted on oak, with gilt bronze fittings

Qingbai ware: molded porcelain with pale sky-blue glaze; with molded inscription reading "Wu Jia He ___" on the base

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, applied kirigane (cut gold), and with raden (mother-of-pearl) inlays

Pale greenish white nephrite; the inscription picked out in gold

Grayish nephrite with off-white inclusions

Lacquer

Paper over board, cardboard

Lacquer on wood with decoration in black, gold, silver, and red utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques