second half 12th century
H. 3.9 x Diam. 8.8 cm (1 9/16 x 3 7/16 in.)
Shirley Nye (d. 2003), New York (by 1999), gift; to Harvard University Art Museums, 1999.
Han painted lacquer: reddish-brown and black lacquers over wooden core, with designs painted in lacquer and with metal mounts (probably tin)
2nd-1st century BCEChineseSilver
19th centuryBritishPale green neprhite; the inscription picked out in gold
19th centuryChineseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with shibuchi (copper-silver alloy), brass, silver, and coral inlays; stone, metal, and enamel fittings
18th centuryJapaneseMixed copper alloy, lid possibly tinned
6th-7th centuryByzantineEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Longqing nian zao" within a double circle on the base
16th centuryChineseMarble
European?Ivory plaques mounted on oak, with gilt bronze fittings
12th centuryItalianEnamel
20th centuryGermanMaki-e designs in gold and silver lacquers on nashiji lacquer ground
19th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord
18th centuryJapaneseWood
19th centuryAmerican