late 19th-early 20th century
H. 6.8 x W. 11.8 x D. 8.5 cm (2 11/16 x 4 5/8 x 3 3/8 in.)
[William Lipton Ltd., New York, (2001)] sold; to Harvard University Art Museums, 2001.
Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone and metal fittings
17th-18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques; stone and copper fittings
17th centuryJapaneseSilver with parcel gilding
3rd century BCE-3rd century CEChineseWood
19th centuryAmericanWood
19th centuryTibetanLacquer on wood with decoration in sumiaka (exposed cloth ground) and gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques and with gold and silver inlays; metal fittings
18th centuryJapaneseLacquer, brown with red underlayer.
ChineseLacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques; gilt-copper fittings
17th centuryJapaneseHuangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChineseLacquer on wood
19th centuryThaiTakamakie lacquer, nashiji gold flakes, and kirigane gold foil on a roiro black lacquer ground, the lower sides with nashiji gold flakes and bokashi kinpun gold dust, the inside and the bottom with dense nashiji gold flakes
20th centuryJapaneseMixed copper alloy, lid possibly tinned
6th-7th centuryByzantine