Covered Rectangular Box, the Cover with a Stylized "Double Hŭi" Character, the Box with Four Cartouches round its Side Walls, the Cartouches Depicting Two Recumbent Spotted Deer amidst Pines, Two Standing Manchurian Cranes amidst Bamboo, Two Walking Spotted Deer amidst Pines, and a Turtle Emerging from Waves, all the Decorative Motifs on Box and Cover Set against a Diapered Ground

Lacquer on wood with decoration in gold and seisei urushi (cooked lacquer) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; gold and shakudo (copper-gold alloy) fittings

Lacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings

Silver with parcel gilding; with inscription incised on base and cover

Metal

Lacquer

Lacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays

Silver and wax

Painted celadon ware: molded light gray stoneware with celadon glaze over decoration painted in copper-red and in black and white slips. Reportedly recovered in Changhŭng, South Chŏlla province, in 1963.

Lacquer on wood

Enameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Longqing nian zao" within a double circle on the base

Off-white nephrite

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings