Mid Edo period, 18th century
H. 12.4 x W. 23.3 x D. 11.3 cm (4 7/8 x 9 3/16 x 4 7/16 in.)
Maki-e lacquer;
17th-19th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold and silver)
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings
17th-18th centuryJapaneseLacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]
18th centuryJapaneseLacquer on wood
17th-19th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and tortoiseshell inlays
17th-18th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, with applied kirigane (cut gold and silver) and with glazed-ceramic, ivory, mother-of-pearl, coral, and malachite inlays; stone and metal fittings
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique
18th centuryJapaneseNegoro ware; red and black lacquer on wood
18th-19th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with shibuchi (copper-silver alloy), brass, silver, and coral inlays; stone, metal, and enamel fittings
18th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, applied kirigane (cut gold), and with raden (mother-of-pearl) inlays
18th centuryJapanese