19th-first half 20th century
H. 23.8 x W. 36 x D. 22.8 cm (9 3/8 x 14 3/16 x 9 in.)
Kyle Edward Wilson, Jr., Alvin, Texas (by 1968-2002), estate sale; to Harvard University Art Museums, 2003. Footnote: 1. Kyle Edward Wilson, Jr. (1931-2002)
Ivory plaques mounted on oak, with gilt bronze fittings
12th centuryItalianQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques; stone and copper fittings
17th centuryJapaneseLacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings
16th-17th centuryJapaneseSilver with parcel gilding
3rd century BCE-3rd century CEChineseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord
18th centuryJapaneseSilver
17th centuryDutch?White stoneware with ivory hued glaze
8th-9th centuryChineseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays
17th-18th centuryJapaneseRosewood with metal (brass and copper?) fittings, the interior of the box lined with silk damask
18th centuryKoreanLacquer
Japanese