12th-13th century
overall: H. 7.7 x Diam. 9.1 cm (3 1/16 x 3 9/16 in.)
William B. Goldstein, M.D. purchased from Kaikodo, New York
Stoneware with brown glaze
9th centuryChineseLacquer on wood
17th-19th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold); stone and metal fittings
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; metal fittings
17th centuryJapaneseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips
12th centuryKoreanHan painted lacquer: reddish-brown and black lacquers over wooden core, with designs painted in lacquer and with metal mounts (probably tin)
2nd-1st century BCEChineseSilver
19th centuryPersianLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
16th-17th centuryJapaneseLacquer on wood with decoration in gold and seisei urushi (cooked lacquer) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; gold and shakudo (copper-gold alloy) fittings
18th centuryJapaneseLacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques; gilt-copper fittings
17th centuryJapaneseMarble
European?