3.49 x 5.4 x 3.18 cm (1 3/8 x 2 1/8 x 1 1/4 in.)
Lacquered wood with brass fittings and with inlays of mother of pearl, tortoiseshell, twisted wire, and metal filings
19th-20th centuryKoreanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques
17th centuryJapaneseLacquer on wood with decoration in painted gold and with thin mother-of-pearl inlays; metal fittings
18th centuryJapaneseMixed copper alloy, lid possibly tinned
6th-7th centuryByzantineLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays; stone and metal fittings
17th centuryJapaneseLacquer on wood with decoration in gold, silver, lacquer paste, lead, ceramic and shell inlays; stone and metal fittings
18th centuryJapaneseSilver with parcel gilding
3rd century BCE-3rd century CEChineseLacquer on wood
JapanesePale greenish white nephrite
18th-19th centuryChinese
Temmoku-type ware: light gray stoneware with black glaze, the decoration painted in overglaze iron-brown slip
20th centuryJapaneseWood
19th-20th centuryThaiLacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings
18th-19th centuryJapanese