3.49 x 5.4 x 3.18 cm (1 3/8 x 2 1/8 x 1 1/4 in.)
Mixed copper alloy, lid possibly tinned
6th-7th centuryByzantineWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersianLacquer on wood
19th centuryThaiLacquer, red and black
ChinesePale greenish white nephrite
18th centuryChineseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and tortoiseshell inlays
17th-18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; metal fittings
17th centuryJapaneseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseHuangpu ware: light gray stoneware covered all over with white slip, the decoration painted in localized areas of discontinuous dark brown glaze. From the Huangpu kilns, Tongchuan, Shaanxi province
9th centuryChineseWood with metal fittings
20th centuryKoreanLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and originally with inlays [now lost]; stone and metal fittings
16th-17th centuryJapaneseMetal structure with plastic laminate
20th centuryBritish