Momoyama period, late 16th to early 17th century
H. 6.4 x Diam. 13.7 cm (2 1/2 x 5 3/8 in.)
Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays; stone and metal fittings
17th centuryJapaneseApproximately 20 sheets of brass, steel, and nickel silver joined with gray lead-tin solder
19th-20th centuryBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings
18th centuryJapaneseWhite stoneware with russet-brown glaze
20th centuryJapaneseWood
18th centuryAmericanSilver with parcel gilding
3rd century BCE-3rd century CEChineseKoryŏ-style inlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slips
20th centuryKoreanDry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer
21st centuryJapaneseLacquer
JapaneseSilver
18th centuryBritish