Momoyama period, late 16th to early 17th century
H. 6.4 x Diam. 13.7 cm (2 1/2 x 5 3/8 in.)
Silver
19th centuryBritish
Box with mounted Plexiglas wheel and various sample materials
20th centuryBritishKoryŏ-style inlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slips
20th centuryKoreanWood with inscribed characters in gold on lid and interior
18th centuryChineseLacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; [modern] silver fittings
16th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanLacquer on wood with Kōdaiji-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji (pictorial "pear-skinned" ground) techniques
17th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord
18th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and originally with inlays [now lost]; stone and metal fittings
16th-17th centuryJapaneseWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersian