Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays

17th-18th centuryJapanese

Boxes

Document Box (Ryōshibako) with Gong, Vajra, and Sutra Design

Ogawa Haritsu, Early to Mid Edo period, late 17th to early 18th century

17th-18th centuryJapanese

Boxes

Inkstone Box (Suzuribako) with Monkey-and-Persimmon Fan Design

Unknown Artist, Mid Edo period, early 18th century

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with shibuchi (copper-silver alloy), brass, silver, and coral inlays; stone, metal, and enamel fittings

18th centuryJapanese

Boxes

LACQUER LETTER BOX

Unknown Artist, Edo period, circa 1700-1867

Lacquer on wood

18th-19th centuryJapanese

Boxes

Incense-Game Set (Kōdōgubako) in the Form of a Birdcage with Flying Cuckoo Design

Unknown Artist, Muromachi and Edo period, 16th and 18th centuries

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with silver and raden (mother-of-pearl) inlays; metal fittings

18th centuryJapanese

Boxes

Tea Caddy (Natsume) with Paulownia Crest Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique

18th centuryJapanese

Boxes

Small Container (Kobako) with Chrysanthemum and Wheel Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings

18th centuryJapanese

Boxes

Portable Lunch-Box Set (Sagejūbako)

Unknown Artist, Edo period, 18th century

Lacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]

18th centuryJapanese

Boxes

Small Box (Kobako) with Pine and Plum Tree Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings

18th centuryJapanese

Boxes

Poem-Slip Box (Shikishibako) with Pine Tree Design

Unknown Artist, Early Edo period, late 17th century -early 18th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord

17th-18th centuryJapanese

Boxes

Wakasa-Nuri Inkstone Box (Suzuribako) with Double Inrō-Ensemble Design

Unknown Artist, Late Edo period, late 18thcentury-early 19th century

Lacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings

18th-19th centuryJapanese