Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone and metal fittings

17th-18th centuryJapanese

Boxes

LACQUER LETTER BOX

Unknown Artist, Edo period, circa 1700-1867

Lacquer on wood

18th-19th centuryJapanese

Boxes

Scroll Box (Fubako) with Decoration of Large Stylized Crests

Unknown Artist, Late Edo period, 18th-19th century

Lacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques

18th-19th centuryJapanese

Boxes

Incense-Game Set (Kōdōgubako) in the Form of a Birdcage with Flying Cuckoo Design

Unknown Artist, Muromachi and Edo period, 16th and 18th centuries

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with silver and raden (mother-of-pearl) inlays; metal fittings

18th centuryJapanese

Boxes

Oval Tsugaru-nuri Inkstone Box (Suzuribako) with Sage, Attendant, and Crane Design

Ogawa Haritsu, Mid Edo period, early 18th century

Lacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays

18th centuryJapanese

Boxes

Wakasa-Nuri Inkstone Box (Suzuribako) with Double Inrō-Ensemble Design

Unknown Artist, Late Edo period, late 18thcentury-early 19th century

Lacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings

18th-19th centuryJapanese

Boxes

Mirror Box (Kagamibako) with Pine, Bamboo, Crane, and Turtle Design

Unknown Artist, Early to Mid Edo period, late 17th or early 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

17th-18th centuryJapanese

Boxes

Scroll Box (Fubako) with Miscellaneous Crest Design

Unknown Artist, Late Edo period, late 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord

18th centuryJapanese

Boxes

Inkstone Box (Suzuribako) with Tiger and Bamboo Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold); stone and metal fittings

18th centuryJapanese

Boxes

Mirror Box (Kagamibako) and Tiered Incense Container (Jūkōgō) with Flowering Clematis Design

Unknown Artist, Mid Edo period, early 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques

18th centuryJapanese

Boxes

Incense Burner (Kōro) with Autumn Flower Design

Unknown Artist, Early Edo period, late 17th century-early 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings

17th-18th centuryJapanese