Lacquer on wood with decoration in sumiaka (exposed cloth ground) and gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques and with gold and silver inlays; metal fittings

18th centuryJapanese

Boxes

Small Container (Kobako) with Chrysanthemum and Wheel Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings

18th centuryJapanese

Boxes

Document Box (Ryōshibako) with Gong, Vajra, and Sutra Design

Ogawa Haritsu, Early to Mid Edo period, late 17th to early 18th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and tortoiseshell inlays

17th-18th centuryJapanese

Boxes

Drawered Hand Box (Tebako) with Four-Season Motif Design and Various Interior Cosmetic Boxes with Scrolling Floral Designs

Unknown Artist, Early Edo period, late 17th - early 18th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and harigaki (linear incising) techniques, and with applied kirigane (cut gold and silver) and shibuchi (copper-silver alloy); metal fittings

17th-18th centuryJapanese

Boxes

Small Box (Kobako) with Pine and Plum Tree Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings

18th centuryJapanese

Boxes

Mirror Box (Kagamibako) with Pine, Bamboo, Crane, and Turtle Design

Unknown Artist, Early to Mid Edo period, late 17th or early 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

17th-18th centuryJapanese

Boxes

Wakasa-Nuri Inkstone Box (Suzuribako) with Double Inrō-Ensemble Design

Unknown Artist, Late Edo period, late 18thcentury-early 19th century

Lacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings

18th-19th centuryJapanese

Boxes

Mirror Box (Kagamibako) with Double Fan Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

18th centuryJapanese

Boxes

Footed Document Box (Ryōshibako) with Summer Waterscape Design

Unknown Artist, Mid Edo period, 18th century

Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), and nashiji ("pear-skinned" ground) techniques

18th centuryJapanese

Boxes

LACQUER SUTRA CASE

Unknown Artist, Edo period,

Lacquer on wood

17th-19th centuryJapanese

Boxes

Small Container (Kobako) with Samurai Accouterments Design

Unknown Artist, Mid to Late Edo period, late 18th century

Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, applied kirigane (cut gold), and with raden (mother-of-pearl) inlays

18th centuryJapanese