Early Edo period, late 17th - early 18th century
14.1 x 18.7 x 27.2 cm (5 9/16 x 7 3/8 x 10 11/16 in.)
Elaine Ehrenkranz, Plantation, FL, (by 1996), gift; to Harvard University Art Museums, 1996.
Red lacquer with gold paint
ChineseSilver
19th centuryPersianLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques
18th-19th centuryJapaneseKoryŏ-style inlaid celadon ware: light gray stoneware with celadon glaze over decoration inlaid in black and white slips
20th centuryKoreanApproximately 20 sheets of brass, steel, and nickel silver joined with gray lead-tin solder
19th-20th centuryBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanPale green neprhite; the inscription picked out in gold
19th centuryChineseSilver
19th centuryBritishLacquer on wood with decoration in gold utilizing the togidashi maki-e (sprinkled design revealed by polishing) technique; stone and gilt-copper fittings
17th centuryJapaneseLacquer, brown with red underlayer.
ChineseLacquer on wood with decoration in black, gold, silver, and red utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
19th centuryJapanese