Jade Circular Covered Box with Floral Decoration and with Poem Inscribed on the Cover

Qingbai ware: molded porcelain with pale sky-blue glaze

Mahogany and brass

Lacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]

Kamakura-bori (lacquer on carved wood)

Silver

Lacquer on wood

Lacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays

Pale greenish white nephrite with russet skin

Lacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques

Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone and metal fittings

Box containing reproductions of seventy-one works by Duchamp