19th century
H. 13 x W. 18.1 x D. 3.2 cm (5 1/8 x 7 1/8 x 1 1/4 in.)
Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, applied kirigane (cut gold), and with raden (mother-of-pearl) inlays
18th centuryJapaneseLacquer on wood
JapaneseHan painted lacquer: reddish-brown and black lacquers over wooden core, with designs painted in lacquer and with metal mounts (probably tin)
2nd-1st century BCEChineseInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration and over decoration inlaid in black and white slips
13th centuryKoreanLacquered wood: wooden core with light brown lacquer (possibly over a leather substrate) and inlays of mother-of-pearl, sharkskin or ray skin, wire, twisted wire, and metal fillings
18th-19th centuryKoreanLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold and silver)
18th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanEarthenware with green splashed lead glaze
9th-10th centuryChinese
Dry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer
21st centuryJapaneseOpaque watercolor, gold-colored pigments, brass chips, and lacquer over brass layer on pasteboard
19th centuryRattan
19th centuryIndonesianWood with metal fittings
20th centuryKorean