1820-1821
Oblong, base and hinged cover with traces of engine-turning within reeded and applied foliate borders, the center engraved with a script.
1.9 x 7.3 x 4.4 cm (3/4 x 2 7/8 x 1 3/4 in.)
Archibald Alexander Hutchinson, New York; his bequest to the Fogg Art Museum, 1949.
Lacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord
18th centuryJapanese
Temmoku-type ware: light gray stoneware with black glaze, the decoration painted in overglaze iron-brown slip
20th centuryJapaneseTortoise shell, with brass fittings and painted lid
18th centuryFrenchApproximately 20 sheets of brass, steel, and nickel silver joined with gray lead-tin solder
19th-20th centurySilver with parcel gilding
3rd century BCE-3rd century CEChinese
Box containing reproductions of seventy-one works by Duchamp
20th centuryFrenchLacquer on wood
JapaneseWood with metal fittings
20th centuryKoreanLiao sancai ("three-color") ware: molded ivory-hued earthenware with lead-fluxed, emerald-green and caramel-yellow glazes
11th-12th centuryChineseSilver
Unidentified cultureBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue; with underglaze cobalt blue mark reading "Da Qing Yongzheng nian zhi" on the base
19th centuryChineseSilver
17th centuryBritish