1820-1821
Oblong, base and hinged cover with traces of engine-turning within reeded and applied foliate borders, the center engraved with a script.
1.9 x 7.3 x 4.4 cm (3/4 x 2 7/8 x 1 3/4 in.)
Archibald Alexander Hutchinson, New York; his bequest to the Fogg Art Museum, 1949.
Lacquered wood with inlays of tortoiseshell, twisted wire, and metal filings
19th centuryKoreanRosewood with metal (brass and copper?) fittings, the interior of the box lined with silk damask
18th centuryKoreanWhite stoneware with ivory hued glaze
8th-9th centuryChineseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone and metal fittings
17th-18th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanMaki-e designs in gold and silver on nashi-ji lacquer ground
JapaneseLacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings
16th-17th centuryJapaneseEnamel
20th centuryGermanWood
18th centuryAmericanLacquer
19th centuryPersianWhite ware: white stoneware with clear glaze over molded elements
8th-9th centuryChinese