1820-1821
Oblong, base and hinged cover with traces of engine-turning within reeded and applied foliate borders, the center engraved with a script.
1.9 x 7.3 x 4.4 cm (3/4 x 2 7/8 x 1 3/4 in.)
Archibald Alexander Hutchinson, New York; his bequest to the Fogg Art Museum, 1949.
Silver, gilt
19th centuryBritishLacquer on woven bamboo with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with sheet-lead and raden (mother-of-pearl) inlays
17th centuryJapaneseBox containing reproductions of seventy-one works by Duchamp
20th centuryFrenchLacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]
18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with silver and raden (mother-of-pearl) inlays; metal fittings
18th centuryJapanesePale greenish white nephrite
18th-19th centuryChineseRosewood with metal (brass and copper?) fittings, the interior of the box lined with silk damask
18th centuryKoreanInlaid celadon ware: light gray stoneware with celadon glaze over incised decoration partially inlaid in black and white slips
12th centuryKoreanLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with applied kirigane (cut gold and silver); metal fittings and silk cord
17th-18th centuryJapaneseLacquer
JapaneseWood
19th centuryAmericanRed lacquer
Chinese