1820-1821
Oblong, base and hinged cover with traces of engine-turning within reeded and applied foliate borders, the center engraved with a script.
1.9 x 7.3 x 4.4 cm (3/4 x 2 7/8 x 1 3/4 in.)
Archibald Alexander Hutchinson, New York; his bequest to the Fogg Art Museum, 1949.
Wood with inscribed characters in gold on lid and interior
18th centuryChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with raden (mother-of-pearl) inlays
17th-18th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques
17th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold); stone and metal fittings
18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques
18th centuryJapanesePorcelain with enamels and gold
19th centuryGermanLacquer on wood with decoration in gold, silver, lacquer paste, lead, ceramic and shell inlays; stone and metal fittings
18th centuryJapaneseLacquer
JapaneseWood, secured with wooden pegs, and with brass fittings
19th centuryKoreanLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone, metal, and enamel fittings
17th centuryJudaeanMaki-e lacquer
19th centuryJapanese