1820-1821
Oblong, base and hinged cover with traces of engine-turning within reeded and applied foliate borders, the center engraved with a script.
1.9 x 7.3 x 4.4 cm (3/4 x 2 7/8 x 1 3/4 in.)
Archibald Alexander Hutchinson, New York; his bequest to the Fogg Art Museum, 1949.
Lacquered Papier-mâché
19th centuryKoreanBronze
7th-10th centuryChineseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays
17th-18th centuryJapanese
Iron or bronze with decoration applied in gold; with small cartouche on the cover reading "Kingakuji" and a maker's mark in gold on the base; the interior of box and cover lined with sheet gold, the linings cursorily engraved with landscapes
19th-20th centuryJapaneseIncised celadon ware: light gray stoneware with celadon glaze over incised decoration
11th centuryKoreanOlive wood
European?Approximately 20 sheets of brass, steel, and nickel silver joined with gray lead-tin solder
20th centuryMoroccanQingbai ware: molded porcelain with pale sky-blue glaze; with molded inscription reading "Wu Jia He ___" on the base
12th-13th centuryChineseMetal
19th centuryFrenchSilver
17th centuryBritishLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and e-nashiji ("pear-skinned" ground) techniques
17th centuryJapaneseOpaque watercolor, gold-colored pigments, brass chips, and lacquer over brass layer on pasteboard
19th century