Early Edo period, late 17th century-early 18th century
11.1 x 17 x 9 cm (4 3/8 x 6 11/16 x 3 9/16 in.)
Enameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt blue mark reading "Da Ming Wanli nian zhi" within a double-square set within a "ruyi" cloud-scroll border on the base
16th-17th centuryChineseWood, secured with wooden pegs, and with brass fittings
19th centuryKoreanMaki-e lacquer;
17th-19th centuryJapaneseBamboo with carved and stained surface and with brass fittings
18th-19th centuryKoreanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with raden (mother-of-pearl) inlays
17th-18th centuryJapaneseSilver
19th centuryBritishLacquer on wood with decoration in wakasa-nuri (layered lacquer and gold foil over a thick base-coat impressed with various shapes and sprinkled with raden [mother-of-pearl] flakes), gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and togidashi maki-e (sprinkled design revealed by polishing) techniques, and with tsuishu (carved red lacquer), malachite, and carnelian inlays; stone and metal fittings
18th-19th centuryJapaneseLiao sancai ("three-color") ware: molded ivory-hued earthenware with lead-fluxed, emerald-green and caramel-yellow glazes
11th-12th centuryChineseLacquer
17th-19th centuryJapaneseIvory with velvet lining
18th centuryBritishWhite ware: white stoneware with clear glaze over molded elements
8th-9th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th century