second half 12th century
H. 2.5 x Diam. 8.8 cm (1 x 3 7/16 in.)
Gregory (1922-1988) and Maria C. Henderson (1923-2007), Medford, MA (by 1969-1988), inherited; by Maria C. Henderson, Medford, MA (1988-1991), partial gift and partial purchase; to Harvard University Art Museums, 1991.
Opaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryWood
19th centuryTibetanDry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer
21st centuryJapaneseMetal
11th-13th centuryPersianBronze
7th-10th centuryChineseMaki-e designs in gold and silver lacquers on nashiji lacquer ground
19th centuryJapaneseQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet gold and silver appliqué) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone, metal, and enamel fittings
17th centuryJudaeanIron or bronze with decoration applied in gold; with small cartouche on the cover reading "Kingakuji" and a maker's mark in gold on the base; the interior of box and cover lined with sheet gold, the linings cursorily engraved with landscapes
19th-20th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with sprinkled raden (mother-of-pearl) flakes
16th-17th centuryJapanese