8th-9th century
Small circular covered box with straight sides and angled perimeters; white stoneware with ivory-hued glaze on exterior and interior; base unglazed. From northern China, probably from Hebei or Henan province.
with cover: H. 4.8 x Diam. 8.5 cm (1 7/8 x 3 3/8 in.)
[Kaikodo, New York, January 2001] sold; to Walter C. Sedgwick Foundation, Woodside, CA (2001-2006), partial gift; to Harvard University Art Museums, 2006.
Lacquer on wood
JapaneseMetal
11th-13th centuryPersianLacquer on wood with Kōdaiji-style decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, and with applied kirigane (cut silver)
16th-17th centuryJapaneseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseTortoise shell, with brass fittings and painted lid
18th centuryFrenchLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
16th-17th centuryJapaneseBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersianLacquer on wood with decoration in gold, silver, and aokin (gold-silver) utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; gilt-copper fittings [tray with decoration of cranes in takamaki-e (high-relief sprinkled design) may be a later replacement]
18th centuryJapaneseIvory with velvet lining
18th centuryBritishLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
17th-18th centuryJapaneseMaki-e designs in gold and silver on nashi-ji lacquer ground
19th centuryJapanese