20th century
Yue ware: light gray stoneware with celadon glaze over incised and carved decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
10th-11th centuryChineseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji ("pear-skinned" ground) techniques; metal interior fittings
17th centuryJapaneseLacquer on paulownia wood
JapaneseLacquer on wood with decoration in gold and seisei urushi (cooked lacquer) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; gold and shakudo (copper-gold alloy) fittings
18th centuryJapanesePainted celadon ware: molded light gray stoneware with celadon glaze over decoration painted in copper-red and in black and white slips. Reportedly recovered in Changhŭng, South Chŏlla province, in 1963.
13th centuryKoreanHan painted lacquer: reddish-brown and black lacquers over wooden core, with designs painted in lacquer and with metal mounts (probably tin)
2nd-1st century BCEChineseSilver
19th centuryPersianYaozhou ware: light gray stoneware with celadon glaze over carved decoration. From the Yaozhou kilns at Tongchuan, Shaanxi province.
11th-12th centuryChineseYue ware: light gray stoneware with celadon glaze over incised decoration. From the Yue kilns at Shanglinhu, Zhejiang province.
10th centuryChineseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt blue mark reading "Da Ming Wanli nian zhi" within a double-square set within a "ruyi" cloud-scroll border on the base
16th-17th centuryChineseWood
19th centuryTibetanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; lead-alloy fittings
18th centuryJapanese