Mid Edo period, early 18th century
H. 4.9 x W. 21.4 x D. 23 cm (1 15/16 x 8 7/16 x 9 1/16 in.)
Lacquer on wood with decoration in tsugaru-nuri (layered sabi urushi [thick lacquer paste] and colored lacquers with sprinkled silver powder and raden [mother-of-pearl] flakes, textured with circular gouging), colored lacquers, gold, and sabi urushi utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and raden inlays
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques and with textured sheet-lead and raden (mother-of-pearl) inlays
17th-18th centuryJapaneseLacquer
18th centuryJapaneseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), togidashi maki-e (sprinkled design revealed by polishing), and nashiji ("pear-skinned" ground) techniques
18th centuryJapaneseLacquer on wood with decoration in gold, silver, lacquer paste, lead, ceramic and shell inlays; stone and metal fittings
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord
18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings
17th-18th centuryJapaneseLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with raden (mother-of-pearl) inlays
17th-18th centuryJapaneseLacquer on wood with decoration in painted gold and with thin mother-of-pearl inlays; metal fittings
18th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques and with glazed-ceramic and raden (mother-of-pearl) inlays; stone and lacquered-copper fittings
18th centuryJapanese