1840-1841
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format. The top and sides are decorated with a continuous frieze of flowering plants with birds and flying insects against a tan background. On the base a grape vine is painted on a red background.
3.9 × 4.1 × 22.3 cm (1 9/16 × 1 5/8 × 8 3/4 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
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19th centuryJapaneseDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "hikibori" (pull-carving), and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, platy hematite particles, and lacquer on pasteboard
19th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard
19th centuryInk on carved wood
19th centuryChinese