19th century
2.7 x 5.6 x 2.7 cm (1 1/16 x 2 3/16 x 1 1/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque and semi-opaque watercolor and shell-gold flakes on prepared pasteboard under shellac varnish
18th-19th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "hikibori" (pull-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard
19th centuryWood-engraving block (uncut) with a drawing in graphite
19th centuryAmericanKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryOpaque watercolor, gold-colored pigments, copper alloy particles, and lacquer over brass layer on pasteboard
19th centuryOne of a pair of koban (small-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseInk on carved wood
19th centuryChinese