c. 1850-1875
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format. The top and sides are decorated with a continuous frieze of flowering plants and hazelnuts with birds on a sparkling dark brown background. On the base, floral and foliate motifs are painted in gold on a black background.
3.8 × 3.6 × 21.5 cm (1 1/2 × 1 7/16 × 8 7/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Daihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "hikibori" (pull-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseDark green nephrite with black flects and gray veins (so-called spinach-green jade), the stone of Siberian origin, probably from the area around Lake Baikal
18th-19th centuryChineseDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "hikibori" (pull-carving), and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOil on wood
19th-20th centuryAmericanChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseSteel with openwork and colored stones
19th centuryPaper with silk-web reinforcement
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th century