c. 1875-1900
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format with a female portrait in a circular medallion flanked by birds perching in hazelnut branches on a brown ground. The woman lifts her beaded necklace with one hand. The sides are similarly decorated with oval portrait medallions alternating with birds and hazelnuts. On the base a gold arabesque is painted on a black background.
3.1 × 3 × 18.5 cm (1 1/4 × 1 3/16 × 7 5/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Chūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapanesePaper with silk-web reinforcement
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseCarved wood
19th-20th centuryChineseInk on carved wood
19th centuryChineseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseWatercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryPersianCarved bamboo
19th-20th centuryChineseOpaque watercolor and lacquer over papier-maché
18th-19th centuryPersianKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "dōgubori" (punch-carving), and "hikibori" (pull-carving) techniques
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, brass particles, and lacquer over brass layer on pasteboard
19th century