1886-1887
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format with central cartouche with concentric gold frames containing a songbird. An inscription on the top names the Qajar ruler Nasir al-Din Shah (r. 1848-96). The spaces to the left and right are richly decorated with birds, butterflies, and flowers. The sides are composed of cartouches filled with animal families, flowers, birds, and winged putti. On the base, a cartouche filled with rabbits is flanked by bouquets. The sliding compartment is decorated on the outer surfaces with lobed medallions cartouches containing pairs of birds and vignettes of men riding horses or camels.
3.8 × 3.8 × 23 cm (1 1/2 × 1 1/2 × 9 1/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Odd-sized minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseInk and color on carved wood
19th centuryChineseKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique
19th-20th centuryJapaneseWood
19th-20th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryOne of a pair of chūban (medium-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques; with ink
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseWatercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryPersianOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th century