probably late 18th-19th century
H. 49.5 x Diam. 8.5 cm (19 1/2 x 3 3/8 in.)
Kyle Edward Wilson, Jr., Alvin, Texas (by 1968-2002), estate sale; to Harvard University Art Museums, 2003. Footnote: 1. Kyle Edward Wilson, Jr. (1931-2002)
Lacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design) and takamaki-e (high-relief sprinkled design) techniques, and with glazed-ceramic and tortoiseshell inlays
17th-18th centuryJapaneseBamboo with carved and stained surface and with brass fittings
18th-19th centuryKoreanEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChinese
Temmoku-type ware: light gray stoneware with black glaze, the decoration painted in overglaze iron-brown slip
20th centuryJapanese
Dry lacquer; dark brown lacquer over fabric core, the decoration on the exterior in "takamakie" high relief gold and brown lacquer, the decoration on the interior and base in "nashiji" gold flakes; the base with signature reading "Mushū" in black lacquer
21st centuryJapaneseMetal
18th-19th centuryRussianLiao sancai ("three-color") ware: molded ivory-hued earthenware with lead-fluxed, emerald-green and caramel-yellow glazes
11th-12th centuryChineseLacquer on wood with decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques; copper fittings
18th centuryJapaneseTakamakie lacquer, nashiji gold flakes, and kirigane gold foil on a roiro black lacquer ground, the lower sides with nashiji gold flakes and bokashi kinpun gold dust, the inside and the bottom with dense nashiji gold flakes
20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer over tin layer on pasteboard
19th centuryLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone and metal fittings
17th-18th centuryJapaneseWood with metal fittings
20th centuryKorean