probably late 11th century
H. 3 x Diam. 8.5 cm (1 3/16 x 3 3/8 in.)
Hervey E. Wetzel (1988-1918), Boston, MA (by 1919), bequest; to Fogg Art Museum, 1919.
Lacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques; metal fittings and silk cord
18th centuryJapanese
Box with mounted Plexiglas wheel and various sample materials
20th centuryBritishLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design) and nashiji ("pear-skinned" ground) techniques; openwork bronze cover and copper interior fittings
17th-18th centuryJapaneseLacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings
16th-17th centuryJapaneseWood
19th-20th centuryThaiLacquer on wood with decoration in gold and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, applied kirigane (cut gold), and with raden (mother-of-pearl) inlays
18th centuryJapaneseEnameled blue-and-white ware, "wucai" type: porcelain with decoration painted in underglaze cobalt blue and overglaze polychrome enamels; with underglaze cobalt-blue mark reading "Da Ming Wanli nian zhi" within a double circle on the base
16th-17th centuryChineseLacquer
19th centuryPersianPaper over board, cardboard
19th centuryGermanCarved ivory
19th centuryChineseLacquer on wood
JapanesePale greenish white nephrite; the inscription picked out in gold
19th centuryChinese