9th century
4.6 x 6.2 cm (1 13/16 x 2 7/16 in.)
Acquired from Kaikodo, New York.
Lacquer on wood with decoration in gold utilizing the "hiramaki-e" (low-relief sprinkled design) and "kanagai" (sheet-gold appliqué) techniques
18th-19th centuryJapaneseKamakura-bori (lacquer on carved wood)
18th centuryJapaneseLacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and e-nashiji (pictorial "pear-skinned" ground) techniques and with glazed-ceramic and raden (mother-of-pearl) inlays; stone and lacquered-copper fittings
18th centuryJapaneseSilver with parcel gilding
3rd century BCE-3rd century CEChineseLacquer on wood with decoration in gold, silver, lacquer paste, lead, ceramic and shell inlays; stone and metal fittings
18th centuryJapaneseSilver
19th centuryPersianPorcelain with enamels and gold
19th centuryGermanLacquered Papier-mâché
19th centuryKoreanBronze, with damascened overlays of cut sheet silver, the bronze with induced gunmetal gray surface color
19th-20th centuryKoreanLacquer on wood with decoration in gold utilizing the hiramaki-e (low-relief sprinkled design), nashiji ("pear-skinned" ground), e-nashiji (pictorial "pear-skinned" ground), and harigaki (linear incising) techniques; metal fittings
17th centuryJapaneseLacquered wood: wooden core with orange-red lacquer over black lacquer (over a paper substrate); with metal fittings
18th-19th centuryJapaneseQingbai ware: molded porcelain with pale sky-blue glaze
13th centuryChinese