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Hayano Kanbei and his Wife Okaru/ Act 6 (Roku dan me), from the series The Treasury of Loyal Retainers (Kanadehon chūshingura)
Prints
Hayano Kanbei and his Wife Okaru/ Act 6 (Roku dan me), from the series The Treasury of Loyal Retainers (Kanadehon chūshingura)
Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock print in "chūban" format; Ink and color on paper

19th centuryJapanese
New Year's Sunrise at Susaki, with poem by Chihaya no Furinushi
Prints
New Year's Sunrise at Susaki, with poem by Chihaya no Furinushi
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

18th-19th centuryJapanese
Hotei, Dandelions and White Poetry Slip (Tanzaku), with poems by Ryōhōtei Tsunebumi and Hasendō Tenma
Prints
Hotei, Dandelions and White Poetry Slip (Tanzaku), with poems by Ryōhōtei Tsunebumi and Hasendō Tenma
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Dog Playing with Temari Ball, Calendar for 1814
Prints
Dog Playing with Temari Ball, Calendar for 1814
Totoya Hokkei 魚屋北渓, 1814

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese
Mother and Child Pouring Sake into Well, with poems by Seizandō Shirane no Tsuneyuki (from Kōfu), Hakuginrō(?) Kagami no Tsunemaru, Fudantei Iguchi no Tsunemizu and Tōto Hasendō
Prints
Mother and Child Pouring Sake into Well, with poems by Seizandō Shirane no Tsuneyuki (from Kōfu), Hakuginrō(?) Kagami no Tsunemaru, Fudantei Iguchi no Tsunemizu and Tōto Hasendō
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "chūban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
WHITE COCK STANDING ON A DRUM
Prints
WHITE COCK STANDING ON A DRUM
Totoya Hokkei 魚屋北渓

Ink on paper

Japanese
Wu Daozi Painting Zhong Kui (the Demon Queller) in Red Ink/ Wu Daozi (Go), from the series Four Companions of Writing Chamber (Bunbō shiyū), with poems by Kurokao(?) Ryūjuen Chiyonari (from Mino), Funazono Suiki(?), Ryūjuen Tōki, and Ryū no ya (from Biyō)
Prints
Wu Daozi Painting Zhong Kui (the Demon Queller) in Red Ink/ Wu Daozi (Go), from the series Four Companions of Writing Chamber (Bunbō shiyū), with poems by Kurokao(?) Ryūjuen Chiyonari (from Mino), Funazono Suiki(?), Ryūjuen Tōki, and Ryū no ya (from Biyō)
Totoya Hokkei 魚屋北渓, Edo period, 1823

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Man Washing a Horse's Hoof/ The Horse-Presentation Ceremony (Aouma no sechie), Number Two from the series Three (Sanban no ni), with poems by Numahoko Shizuku, Ono no Yamazumi, Niji no Hashinari, Suwari Hōshi and Hananoya
Prints
Man Washing a Horse's Hoof/ The Horse-Presentation Ceremony (Aouma no sechie), Number Two from the series Three (Sanban no ni), with poems by Numahoko Shizuku, Ono no Yamazumi, Niji no Hashinari, Suwari Hōshi and Hananoya
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Woman Washing Clothes and Boy Playing with Kite, with poems by Shōshōsha Kanen, Kagōsha Hidemi and Tōkatei
Prints
Woman Washing Clothes and Boy Playing with Kite, with poems by Shōshōsha Kanen, Kagōsha Hidemi and Tōkatei
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Standing Courtesan Looking into a Mirror/ Tiger Skin (Tora no kawa), Third of the Right Group (Migi sanban), from the series Treasure Match (Takara awase), with poems by Rairoen Kakudaru, Rakuseian and Shakuyakutei
Prints
Standing Courtesan Looking into a Mirror/ Tiger Skin (Tora no kawa), Third of the Right Group (Migi sanban), from the series Treasure Match (Takara awase), with poems by Rairoen Kakudaru, Rakuseian and Shakuyakutei
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Courtesan Changing and Old Woman (Inn Keeper) Taking out Umbrella/ Money Tree (Kane no naru ki), Extra (Yokyō) from the series Treasure Match (Takara awase), with poems by Jinsentei (Shinsentei) Hakushō, Kirakuan Yumezuki and Shinryūen Harukaze
Prints
Courtesan Changing and Old Woman (Inn Keeper) Taking out Umbrella/ Money Tree (Kane no naru ki), Extra (Yokyō) from the series Treasure Match (Takara awase), with poems by Jinsentei (Shinsentei) Hakushō, Kirakuan Yumezuki and Shinryūen Harukaze
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Courtesan Seated with a Pipe/ Kyoto (Kyo), from the series History of the Three Kingdoms, Courtesans in Peach Banquet (Sangokushi Tōen yakko), with poems by Fukurokutei and Fukkōsha Nakayoshi
Prints
Courtesan Seated with a Pipe/ Kyoto (Kyo), from the series History of the Three Kingdoms, Courtesans in Peach Banquet (Sangokushi Tōen yakko), with poems by Fukurokutei and Fukkōsha Nakayoshi
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Courtesan Seated with Shamisen/ Osaka, from the series History of the Three Kingdoms, Courtesans in Peach Banquet (Sangokushi Tōen yakko), with poems by Fukkindō Sadao and Fukkintei Sunago
Prints
Courtesan Seated with Shamisen/ Osaka, from the series History of the Three Kingdoms, Courtesans in Peach Banquet (Sangokushi Tōen yakko), with poems by Fukkindō Sadao and Fukkintei Sunago
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Courtesan Seated with a Sake Cup/ Edo, from the series History of the Three Kingdoms, Courtesans in Peach Banquet (Sangokushi Tōen yakko), with poems by Fukunairō Mamenari and Fukkaian Namiyoshi
Prints
Courtesan Seated with a Sake Cup/ Edo, from the series History of the Three Kingdoms, Courtesans in Peach Banquet (Sangokushi Tōen yakko), with poems by Fukunairō Mamenari and Fukkaian Namiyoshi
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Courtesan Looking at Kimono Train/ Willow Tea (Yanagi-cha yui), from the Series for the Willow Group (Yanagi bantsuzuki), with poems by Ryūgentei Karakoto and Ryūtarin Senjō
Prints
Courtesan Looking at Kimono Train/ Willow Tea (Yanagi-cha yui), from the Series for the Willow Group (Yanagi bantsuzuki), with poems by Ryūgentei Karakoto and Ryūtarin Senjō
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Woman Looking at Fallen Kite/ Willow Bath (Yanagi-yu), from the Series for the Willow Group (Yanagi bantsuzuki), with poems by Senryūtei Ichiyō
Prints
Woman Looking at Fallen Kite/ Willow Bath (Yanagi-yu), from the Series for the Willow Group (Yanagi bantsuzuki), with poems by Senryūtei Ichiyō
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Woman Making Toothpicks/ Yanagiya, The Flower of Sakai (Yanagiya, Sakai no hana), from the Series for the Willow Group (Yanagi bantsuzuki), with poems by Ryūkakutsu Sekimon and Ryūkaen Kotouta
Prints
Woman Making Toothpicks/ Yanagiya, The Flower of Sakai (Yanagiya, Sakai no hana), from the Series for the Willow Group (Yanagi bantsuzuki), with poems by Ryūkakutsu Sekimon and Ryūkaen Kotouta
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Woman Standing by Lacquer Tray with Sake/ Willow Island (Yanagishima), from the Series for the Yanagi Group (Yanagi bantsuzuki), with poems by Ryūkokutei Sennen and Sennentei
Prints
Woman Standing by Lacquer Tray with Sake/ Willow Island (Yanagishima), from the Series for the Yanagi Group (Yanagi bantsuzuki), with poems by Ryūkokutei Sennen and Sennentei
Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Song Jiangming (Sō Kōmei)/ Fire (Hi), from the series Five Elements of the Tale of Water Margins (Suiko gogyō), with poem by Kōkyōen Baimon (or Umemon)
Prints
Song Jiangming (Sō Kōmei)/ Fire (Hi), from the series Five Elements of the Tale of Water Margins (Suiko gogyō), with poem by Kōkyōen Baimon (or Umemon)
Totoya Hokkei 魚屋北渓, Edo period, probably 1832

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese
Wood: Lu Zhishen (Moku, Rochishin), from the series Shuihuzhuan Heroes for the Five Elements (Suiko gogyō)
Prints
Wood: Lu Zhishen (Moku, Rochishin), from the series Shuihuzhuan Heroes for the Five Elements (Suiko gogyō)
Totoya Hokkei 魚屋北渓, early 1830s

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese
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