PrintsJapanese19th century

Wu Daozi Painting Zhong Kui (the Demon Queller) in Red Ink/ Wu Daozi (Go), from the series Four Companions of Writing Chamber (Bunbō shiyū), with poems by Kurokao(?) Ryūjuen Chiyonari (from Mino), Funazono Suiki(?), Ryūjuen Tōki, and Ryū no ya (from Biyō)

Edo period, 1823

Artists

Totoya Hokkei 魚屋北渓Artist

Classification

Prints

Medium

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 21.1 cm x W. 18.8 cm (8 5/16 x 7 3/8 in.)

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Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

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Fond of Children (Kodomo-zuki), from the series Eight Views of Favorite Things of Today (Tosei kobutsu hakkei)

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1801-1802

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Utamaro hitsu"

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Li Qi (J: Riki)/ Metal (Kane), from the series Five Elements of the Tale of the Water Margins (Suiko gogyō), with poems by Seiyōkan Umeyo (Baise) and Kagendō Tsugiho

Totoya Hokkei 魚屋北渓, Edo period, probably 1832

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Go Hokkei"

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Pictures of Girl Meditating and Plum Tree through Window, from the series Ten Designs for the Honchō Circle (Honchōren jūban tsuzuki)

Yashima Gakutei 八島岳亭, Edo period, circa 1820

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica, metallic pigment and embossing on paper

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Tōeizan Temple at Ueno (Ueno Tōeizan), from the series Famous Places in Edo (Edo meisho)

Utagawa Hiroshige 歌川広重, c. 1840-42

Woodblock print; ink and color on paper

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Northern Country from the series Three Amusements of Contemporary Beauties

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1800

Ukiyo-e woodblock print in "naga-ōban" format; ink and color on paper

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New Year Festivities at the House of Spring Colors (Shunshoku-ya kata no kotobuki)

Utagawa Kunisada 歌川国貞, circa 1847–1852 (Kōka 4 – An'ei 5)

Woodblock print (nishiki-e) triptych; ink and color on paper

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View of Asakusa in Snow (Asakusa secchū no zu), from the series Famous Places of Edo (Edo meisho no uchi)

Utagawa Hiroshige II, 19th century

Ukiyo-e woodblock print; ink and color on paper

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Kurokata, from the series Comparisons of Perfumes

Yanagawa Shigenobu II, 19th century

Ukiyo-e woodblock-printed surimono in "shikishi" format; ink, color and metallic pigment on paper, with printed signature reading "Yanagawa Shigenobu"

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Court Lady Standing by Bamboo Curtain, with poems by Aoyagi Naoyoshi and Rokatei Hanamori

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

18th-19th centuryJapanese

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Votive Paintings (Emadō) of Camellias and Court Lady and Monk at Kiyomizu-dera, from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with various poems

Kubo Shunman 窪俊満, Edo period, circa 1814-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

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