PrintsJapanese19th century

Woman Looking at Fallen Kite/ Willow Bath (Yanagi-yu), from the Series for the Willow Group (Yanagi bantsuzuki), with poems by Senryūtei Ichiyō

Edo period,

Artists

Totoya Hokkei 魚屋北渓Artist

Classification

Prints

Medium

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 21.2 cm x W. 18.1 cm (8 3/8 x 7 1/8 in.)

Related Artworks

Prints

Picture of the Prosperity of Shintomiza

Yōshū (Hashimoto) Chikanobu 楊洲周延, 1879 (Meiji 12)

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Prints

Fuji at a Village Boundary (Murazakai no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

View of the Amusements of the Foreigners in Yokohama, Bushu (Bushu Yokohama gaikokujin yūkyō no zu), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, Late Edo period, first month of 1861

Left sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

Pink Octopus and Three Dancing Women from the series Glorious Amusements of the Brothel Niwaka Festival (Seiro Niwaka zensei asobi)

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1800-1806

Ukiyo-e woodblock print in "aiban" format; ink and color on paper

19th centuryJapanese

Prints

Women Picnicing by the Tama River/The Short-Necked Clam Shell (Asarigai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase)

Katsushika Hokusai 葛飾北斎, Edo period, datable to 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigments on paper, with printed signature reading "Getchi Rōjin I-itsu hitsu"

19th centuryJapanese

Prints

Passengers Disembarking Boat on the Way to Ōji Shrine (Ōji no michi)

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "nagaban" format; Ink and color on paper

19th centuryJapanese

Prints

Embroidering a Tiger

Yashima Gakutei 八島岳亭, 19th century

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

Satsuma Fuku no Uri Buntoku Jitsuroku, from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Dancing Girl and Violets

Yanagawa Shigenobu 柳川重信, 19th century

Ukiyo-e woodblock-printed surimono in "shikishi" format; ink, color, metallic pigment and embossing on paper, with printed signature reading "Rinsai"

19th centuryJapanese

Prints

Hokusai manga (Hokusai Sketchbooks), vol. 11

Katsushika Hokusai 葛飾北斎, Late Edo period, circa 1834

Woodblock-printed book; ink and light color on paper

19th centuryJapanese

Prints

Actors Seki Sanjūrō, Ichikawa Ichizō, and Onoe Matsusuke

Utagawa Toyokuni 歌川豊国, c. 1812

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

18th-19th centuryJapanese

Prints

Round Five, Left Side (Rokuban, hidari): Samurai and Boy Beside Battle of Yashima Screen (Genpei) from the series Contest of Fowls (Tori-awase)

Utagawa Kunisada 歌川国貞, Edo period (probably 1825, Bunsei 8)

Woodblock print (surimono); ink, color and metallic pigment on paper

19th centuryJapanese