PrintsJapanese19th century

Courtesan Seated with a Sake Cup/ Edo, from the series History of the Three Kingdoms, Courtesans in Peach Banquet (Sangokushi Tōen yakko), with poems by Fukunairō Mamenari and Fukkaian Namiyoshi

Edo period,

Artists

Totoya Hokkei 魚屋北渓Artist

Classification

Prints

Medium

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 21.0 cm x W. 18.6 cm (8 1/4 x 7 5/16 in.)

Related Artworks

Prints

Appearance of Mount Fuji in the 5th Year of Kōrei (Kōrei gonen Fujimine shutsugen): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

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Harada Jūkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kōgeki zuiichi genkōsha Harada Jūkichi shi sentō funsen zu)

Mizuno Toshikata, Meiji period, dated 1894

Right panel from a woodblock-printed "ōban" triptych; ink and color on paper

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Prints

Rabbit Pounding Rice in a Mortar

Unknown Artist, 1855 (Ansei 2)

Woodblock print (surimono); ink, color, and metallic pigments on paper

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CRANE, BUSH CLOVER AND PAMPAS GRASS

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

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Yamatoya, from the series Yakusha butai no sugata-e

Utagawa Toyokuni 歌川豊国, 18th-19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych(?); ink and color on paper with printed signature reading "Toyokuni ga"

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Battleships (Waga kuchikan sokuchō asagiri daifūsetsu o okashite ryojun ni tekikan o gekichin suru no zu)

Kōkyo, Meiji period,

Right panel from a woodblock-printed "ōban" triptych; ink and color on paper

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Prints

Woman Strolling to Marishiten Shrine/ Boar (I) -- Shitaya, from the series Allusions to the Twelve Zodiac Animals at Famous Places in Edo for the Ichiyō Circle (Ichiyōren Edo meisho mitate jūnishi), with poems by Bunkyosha Takamaru, Bunshukusha Otoyoshi,

Yashima Gakutei 八島岳亭, Edo period, 1827

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink and color on paper

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Yōrō kōshi (Jikkunshō), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Chiyonoya Matsufuru and Umenoya Tsuruko

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

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Prints

Fuji in Asumi Village (Asumimura no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

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Prints

Act Six from the series Treasury of Loyal Retainers (Chūshingura: Roku danme)

Katsukawa Shun'ei 勝川春英, Edo period, late 18th to early 19th century

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Shun'ei ga"

18th-19th centuryJapanese

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"Kaigun shoko to seishin no senryaku toron suru zu"

Mizuno Toshikata, Meiji period, dated 1894

Left panel from a woodblock-printed "ōban" triptych; ink and color on paper

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Prints

Woman Cutting an Iris Leaf Arrow

Harukawa Goshichi (Kamiya Hōshū), mid-1820s

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese