1896 - 1898
painting proper: H. 87.5 x W. 30.8 cm (34 7/16 x 12 1/8 in.) mounting, including cord and roller ends: H. 172.7 x W. 45.4 cm (68 x 17 7/8 in.)
[Kang Collection, New York (2005)] sold; to Harvard University Art Museums, 2005.
Eight-panel folding screen; ink and colors on paper
19th centuryKoreanHanging scroll; ink and slight color on paper; with signature reading "Roi-roi to-in"; with seal of the artist
19th-20th centuryKoreanFolding album leaf mounted as a hanging scroll (from an album of sixteen leaves); ink on paper; with an inscription by the artist; with one seal of the artist
19th centuryKoreanFolding album leaf (from an album of sixteen leaves) mounted as a hanging scroll; ink on paper, with two rectangular, red, relief seals of the artist reading "Tok Hwa" and "Tae A"
19th centuryKoreanHanging scroll; ink and colors on paper
18th-19th centuryKoreanFolding album leaf (from an album of sixteen leaves) mounted as a hanging scroll; ink on paper, with notation reading "Maedoin chak" (in Chinese, "Meidaoren zuo"), indicating that the painting is in the manner of Wu Zhen; with a square, red, relief seal of the artist redading "Yu Hyang Sŭp In"
19th centuryKoreanFolding album leaf mounted as a hanging scroll (from an album of sixteen leaves); ink on paper; with an inscription by the artist; with one seal of the arist
19th centuryKoreanEight-panel folding screen; ink and color on paper
19th centuryKoreanHanging scroll; ink and colors on paper; with square, red, intaglio seal impression reading "Cho Chung-muk in" and with square, red, relief seal impression reading "Un-kye"
19th centuryKoreanEight-panel folding screen; ink, gold, and bright colors on silk
18th-19th centuryKoreanEight-panel folding screen; ink on sky-blue tinted paper; each of the eight paintings with artist's inscription followed by a signature reading "Soho" (Chinese, "Xiaohu"); the first (i.e., far right) painting also with a signature of the artist reading "Kim Ŭng-wŏn"; each inscription preceded by an elongated elliptical red seal and each signature followed by two red seals, all the seals now virtually obliterated through abrasion
19th-20th centuryKoreanHanging scroll; ink and slight color on paper; with inscription, signature, and two seals of the artist
19th-20th centuryKorean