second half 19th century
painting proper: H. 124.1 x W. 35.5 cm (48 7/8 x 14 in.) overall including mounting, cord and roller ends: H. 196.5 x W. 58.8 cm (77 3/8 x 23 1/8 in.)
Hanging scroll; ink on silk; with inscription by the artist; with artist's signature reading "Hae-kang Kim Kyu-chin"; with three seals of the artist
19th-20th centuryKoreanFour-panel folding screen; ink on paper; with signature reading "Hyŏn-chŏng Cho Kwang-kuk"; with seals reading "Hyŏn Chŏng" and "Cho Kwang Kuk"
19th centuryKoreanSix-panel folding screen; ink and light colors on silk; with signature reading "Hyo-san"; with seals reading "Hyo San" and "Kim Chae Tŏk In" at the end of the inscription on the last panel
19th centuryKoreanHanging scroll; ink on paper; with signature of the artist reading "Nam-ha sa"; with three seals of the artist
19th centuryKoreanHanging scroll; ink and colors on paper
18th-19th centuryKoreanLarge album leaf now framed and glazed; ink and slight color on silk; with one seal, perhaps a seal of the artist
19th centuryKoreanFolding album leaf mounted as a hanging scroll (from an album of sixteen leaves); ink on paper; with an inscription by the artist; with one seal of the artist
19th centuryKoreanHanging scroll; ink on paper; with artist's inscription, signature, and three seals
19th centuryKoreanSection of a hanging scroll mounted on a panel and framed; ink and colors on paper
18th-19th centuryKoreanSection of a hanging scroll mounted on a panel and framed; ink and colors on paper
18th-19th centuryKoreanFolding album leaf mounted as a hanging scroll (from an album of sixteen leaves); ink on paper; with an inscription by the artist; with one seal of the arist
19th centuryKoreanEight-panel folding screen; ink on sky-blue tinted paper; each of the eight paintings with artist's inscription followed by a signature reading "Soho" (Chinese, "Xiaohu"); the first (i.e., far right) painting also with a signature of the artist reading "Kim Ŭng-wŏn"; each inscription preceded by an elongated elliptical red seal and each signature followed by two red seals, all the seals now virtually obliterated through abrasion
19th-20th centuryKorean