second half 19th century
painting proper: H. 124.1 x W. 35.5 cm (48 7/8 x 14 in.) overall including mounting, cord and roller ends: H. 196.5 x W. 58.8 cm (77 3/8 x 23 1/8 in.)
Folding fan painting mounted as an album leaf; ink on paper; with signature purportedly of the artist reading "Kyŏm-chae"; with two seals purportedly of the artist, one of which reads "Wŏn-paek "
18th-19th centuryKoreanHanging scroll; ink and colors on paper; with square, red, intaglio seal impression reading "Cho Chung-muk in" and with square, red, relief seal impression reading "Un-kye"
19th centuryKoreanOne of a set of four hanging scrolls; ink on silk; with one square, red, intaglio seal of the artist reading "Kŭng Chŏng Ŭng Sŏn Pul Ch'a Saeng Yu Cha Son"
19th centuryKoreanTwo-panel folding screen; ink on paper; with inscription, signature, and three seals of the artist
19th-20th centuryKoreanHanging scroll; ink on paper; with artist's inscription, signature, and three seals
19th centuryKoreanHanging scroll; ink and colors on silk; with two seals of the artist
19th-20th centuryKoreanHanging scroll; ink on silk; with inscription by the artist; with artist's signature reading "Hae-kang Kim Kyu-chin"; with three seals of the artist
19th-20th centuryKoreanHanging scroll; ink and slight color on paper; with signature reading "Roi-roi to-in"; with seal of the artist
19th-20th centuryKoreanSet of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" on the scroll at the far left; with one large seal of the artist on each scroll and with two additional seals of the artist following the signature on the scroll at the far left
19th centuryKoreanHanging scroll; ink on paper embellished with flecks of silver leaf; with artist's signature reading "Ch'a-san"
19th centuryKoreanOne of a set of four hanging scrolls; ink on silk; with one square, red intaglio seal of the artist reading "Yi Ho Rwei Rwei"
19th centuryKoreanFolding album leaf (from an album of sixteen leaves) mounted as a hanging scroll; ink on paper, with notation reading "Maedoin chak" (in Chinese, "Meidaoren zuo"), indicating that the painting is in the manner of Wu Zhen; with a square, red, relief seal of the artist redading "Yu Hyang Sŭp In"
19th centuryKorean