mid-19th century
This plum-blossom painting is an expressive combination of balanced contrasts: soft, rounded plum blossoms and buds delicately rest on sharp branches that burst in every direction; watery ink washes are punctuated with black dots scattered along the image. The vertical crease that runs down the center of this plum-blossom painting indicates that it was once part of an accordion-fold album. Now mounted as a hanging scroll, the painting is believed to have originated from an album of sixteen leaves, all by the same artist. The four-character inscription at the lower right of this painting reads Mae-do-in chak (Chinese, Meidaoren zuo), which might be translated "Made by Mae-do-in" or "Made by the Plum Daoist." While it would seem an entirely appropriate phrase for Cho Hŭi-ryong, Meidaoren is in fact a hao, or sobriquet, of the renowned fourteenth-century Chinese ink plum painter Wu Zhen (1280-1354). Thus, these four characters are not a signature of Cho Hŭi-ryong; rather, they indicate that in painting this album leaf, Cho imitated the style of Wu Zhen. The rugged, expressive brushwork, however, not only marks the painting as a nineteenth-century work, but distinguishes it from paintings done in earlier centuries, which typically would have attempted a more naturalistic depiction using more delicate and descriptive brushwork.
painting proper: H. 28.1 x W. 41.2 cm (11 1/16 x 16 1/4 in.) mounting, including cord and roller ends: H. 101 x W. 68 cm (39 3/4 x 26 3/4 in.)
[Kang Collection, New York (1999)] sold; to Harvard University Art Museums, 1999.
Hanging scroll; ink on paper; with artist's signature
19th centuryKoreanHanging scroll; ink and slight color on paper; with signature reading "Roi-roi to-in"; with seal of the artist
19th-20th centuryKoreanEight-panel folding screen; ink, gold, and bright colors on silk
18th-19th centuryKoreanHanging scroll mounted as an album leaf; ink and color on silk
18th-19th centuryKoreanHanging scroll; ink and colors on paper; with square, red, intaglio seal impression reading "Cho Chung-muk in"
19th centuryKoreanOne of a set of four hanging scrolls; ink on silk; with one square, red, intaglio seal of the artist reading "Kŭng Chŏng Ŭng Sŏn Pul Ch'a Saeng Yu Cha Son"
19th centuryKoreanHanging scroll; ink on silk; with artist inscription, signature reading "So-ho," and three seals reading "Kim Ŭng-wŏn in", "So-ho", and "Ch'ŏn-ram"
19th-20th centuryKoreanEight-panel folding screen; ink on sky-blue tinted paper; each of the eight paintings with artist's inscription followed by a signature reading "Soho" (Chinese, "Xiaohu"); the first (i.e., far right) painting also with a signature of the artist reading "Kim Ŭng-wŏn"; each inscription preceded by an elongated elliptical red seal and each signature followed by two red seals, all the seals now virtually obliterated through abrasion
19th-20th centuryKoreanSix-panel folding screen; ink and light colors on silk; with signature reading "Hyo-san"; with seals reading "Hyo San" and "Kim Chae Tŏk In" at the end of the inscription on the last panel
19th centuryKoreanTen-panel folding screen; ink on silk; with signature reading "Sŏk-p’a ch’il-ship-sam-se no-in chak" [Done by the seventy three year old man Sŏk-p’a]; with seals of the artist reading "Taewŏnkun chang" and "Sŏkp’a" following the signature
19th centuryKoreanFolding fan painting mounted as an album leaf; ink on paper; with signature purportedly of the artist reading "Kyŏm-chae"; with two seals purportedly of the artist, one of which reads "Wŏn-paek "
18th-19th centuryKoreanHanging scroll; ink on paper; with two seals of the artist
19th centuryKorean