mid-19th century
This plum-blossom painting is an expressive combination of balanced contrasts: soft, rounded plum blossoms and buds delicately rest on sharp branches that burst in every direction; watery ink washes are punctuated with black dots scattered along the image. The vertical crease that runs down the center of this plum-blossom painting indicates that it was once part of an accordion-fold album. Now mounted as a hanging scroll, the painting is believed to have originated from an album of sixteen leaves, all by the same artist. The four-character inscription at the lower right of this painting reads Mae-do-in chak (Chinese, Meidaoren zuo), which might be translated "Made by Mae-do-in" or "Made by the Plum Daoist." While it would seem an entirely appropriate phrase for Cho Hŭi-ryong, Meidaoren is in fact a hao, or sobriquet, of the renowned fourteenth-century Chinese ink plum painter Wu Zhen (1280-1354). Thus, these four characters are not a signature of Cho Hŭi-ryong; rather, they indicate that in painting this album leaf, Cho imitated the style of Wu Zhen. The rugged, expressive brushwork, however, not only marks the painting as a nineteenth-century work, but distinguishes it from paintings done in earlier centuries, which typically would have attempted a more naturalistic depiction using more delicate and descriptive brushwork.
painting proper: H. 28.1 x W. 41.2 cm (11 1/16 x 16 1/4 in.) mounting, including cord and roller ends: H. 101 x W. 68 cm (39 3/4 x 26 3/4 in.)
[Kang Collection, New York (1999)] sold; to Harvard University Art Museums, 1999.
Two-panel folding screen; ink on paper; with inscription, signature, and three seals of the artist
19th-20th centuryKoreanHanging scroll; ink and colors on paper
18th-19th centuryKoreanOne of two vertical panels mounted as hanging scrolls, the panels from a folding screen and probably from a set of eight; ink and colors on paper
19th centuryKoreanFolding album leaf mounted as a hanging scroll (from an album of sixteen leaves); ink on paper; with an inscription by the artist; with one seal of the artist
19th centuryKoreanHanging scroll; ink and color on silk
19th centuryKoreanEight-panel folding screen; ink and color on paper
19th centuryKoreanOne of a set of four hanging scrolls; ink on silk; with one square, red, relief seal reading "Yang Tŭk Pu Saeng Il Se Ch'o"
19th centuryKoreanSix-panel folding screen; ink and light colors on silk; with signature reading "Hyo-san"; with seals reading "Hyo San" and "Kim Chae Tŏk In" at the end of the inscription on the last panel
19th centuryKoreanOne of a set of four hanging scrolls; ink on silk; with one square, red, intaglio seal of the artist reading "Kŭng Chŏng Ŭng Sŏn Pul Ch'a Saeng Yu Cha Son"
19th centuryKoreanFolding fan painting mounted as an album leaf; ink on paper; with signature purportedly of the artist reading "Kyŏm-chae"; with two seals purportedly of the artist reading "Chŏng Sŏn" and "Wŏn-paek "
18th-19th centuryKoreanHanging scroll; ink on paper; with two seals of the artist
19th centuryKoreanFolding album leaf (from an album of sixteen leaves) mounted as a hanging scroll; ink on paper, with two rectangular, red, relief seals of the artist reading "Tok Hwa" and "Tae A"
19th centuryKorean