19th century
1.8 x 4.8 x 2.2 cm (11/16 x 1 7/8 x 7/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque watercolor, gold-colored pigments, platy hematite particles, and lacquer on pasteboard
19th centuryInk on carved wood
19th centuryChineseInk and color on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, copper ribbons, and lacquer over brass layer on pasteboard
19th centuryPersianOne of a pair(?) of koban (small-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques; with black ink
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryPersianInk and color on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique; with ink
19th-20th centuryJapaneseCast bronze
17th-19th centuryKoreanOpaque watercolor, gold, and lacquer on pasteboard; punch work
19th-20th century