1890-1891
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format with five cartouches. In the center, a European cityscape rises on the bank of a river. This is flanked by circular cartouches containing portrait busts of women, which in turn are flanked by oblongs with turkeys. The sides are similarly decorated with circular and oblong cartouches containing female portrait busts, with ducks and chickens, and landscapes with small figures. On the base, rabbits flank an elongated cartouche with a river scene.
3.7 × 3.7 × 22 cm (1 7/16 × 1 7/16 × 8 11/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque watercolor, gold, and lacquer on pasteboard; punch work
19th-20th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseGilt steel
19th centuryStone
19th centuryAmericanKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique, with "ito-ire" (silk-web) reinforcement; with ink
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "hikibori" (pull-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique; with ink
19th-20th centuryJapaneseOpaque and semi-opaque watercolor on prepared pasteboard under non-original varnish
19th centuryInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChinese