1882-1883
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format. The top and sides are similarly decorated with birds perching in flowering branches, painted in black on an off-white background. On the base a vine is painted in gold on an off-white background.
3 × 2.9 × 18.5 cm (1 3/16 × 1 1/8 × 7 5/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink on carved wood
19th centuryChineseOpaque and semi-opaque watercolor on prepared pasteboard under shellac varnish
19th centuryCarved wood
19th-20th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryOpaque watercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th-20th centuryOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving), and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseOpaque and semi-opaque watercolor and shell-gold flakes on prepared pasteboard under shellac varnish
18th-19th centuryKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk and color on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapanese