c. 1850-1875
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format. An oval medallion with a portrait bust of a young woman is flanked by four lobed cartouches with figural scenes. The inner cartouches contain groups of dervishes; the one on the left may be identified as the meeting between Shams-i Tabrizi and Rumi. The outer cartouches contain women in European dress with children and attendants. The sides are decorated with a series of landscapes with figures in European dress, separated by oval medallions with portrait busts of men and women in European dress. The base is decorated with a gold arabesque on a red background.
3.6 × 4.1 × 23.6 cm (1 7/16 × 1 5/8 × 9 5/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink on carved wood
19th centuryChineseDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "hikibori" (pull-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique, with "ito-ire" (silk-web) reinforcement; with ink
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOpaque watercolor, gold, and lacquer on pasteboard; punch work
19th-20th centuryOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryPale greenish-white nephrite; brush head made of fur
19th centuryChineseInk with molded decoration and molded inscriptions on base and edge; edge inscription reads "Hainan Songmei Dongpo fa zhi"
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersian