1880-1881
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format. In black on an off-white ground, the top and sides are painted with birds and flying insects amid plants that sprout from a ground line. The plants include rose, prunus, and hyacinth.
3.7 × 3.8 × 22.6 cm (1 7/16 × 1 1/2 × 8 7/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Carved wood
19th-20th centuryChineseBlue-and-white ware: porcelain with appliqué molded spouts and with decoration painted in underglaze cobalt blue. From the kilns at Punwŏn-ri, Kwangju-gun, Kyŏnggi province.
18th-19th centuryKoreanOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseOpaque and semi-opaque watercolor and shell-gold flakes on prepared pasteboard under shellac varnish
18th-19th centuryInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseSteel with openwork and colored stones
19th centuryKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique, with "ito-ire" (silk-web) reinforcement; with ink
19th-20th centuryJapanese