1852-1853
Cover and sliding compartment with rounded ends.The top is decorated in vertical format with three cartouches. In the center, an elderly figure, perhaps a saint, with his eyes closed, clasps his hands; in the background is a white church with two domes. In the lower cartouche, a donkey bearing packs passes between buildings in the middle ground, and a waterwheel holds the foreground. The upper cartouche features water fowl and a white building. The sides are similarly composed, with a vignette of dervishes or holy men in the center and rural scenes at the left and right. The base and sliding compartment are decorated with gold arabesque on a red background.
3.3 × 3.8 × 22.2 cm (1 5/16 × 1 1/2 × 8 3/4 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Kakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "dōgubori" (punch-carving), and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
18th-19th centuryInk on carved wood
19th centuryChineseSteel with enamel decoration
19th centuryDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "hikibori" (pull-carving), and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk and color on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseOne of a pair of koban (small-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseLithographic crayon on limestone lithographic stone
19th centuryAustrian