c. 1861-1866
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format with a central cartouche, with is flanked by birds amidst floating bouquets. The central image depicts a well-known episode when Shams Tabrizi casts Mawlana’s book into the water, as related in Haji Bektas Veli’s Maqalat (Conversations). The sides are covered with birds and floating blossoms interspersed with portrait busts of young and old dervishes. The base and compartment are painted with a minute gold arabesque on a red background.
3.5 × 3.7 × 21.2 cm (1 3/8 × 1 7/16 × 8 3/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
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19th-20th centuryChineseOpaque watercolor and lacquer over papier-maché
18th-19th centuryPersianChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, copper alloy particles, and lacquer over brass layer on pasteboard
19th centuryPersianDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk on carved wood
19th centuryChinese