c. 1861-1866
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format with a central cartouche, with is flanked by birds amidst floating bouquets. The central image depicts a well-known episode when Shams Tabrizi casts Mawlana’s book into the water, as related in Haji Bektas Veli’s Maqalat (Conversations). The sides are covered with birds and floating blossoms interspersed with portrait busts of young and old dervishes. The base and compartment are painted with a minute gold arabesque on a red background.
3.5 × 3.7 × 21.2 cm (1 3/8 × 1 7/16 × 8 3/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
18th-19th centuryInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseGilt metal covered on top and sides with arabesque designs in cloisonné enamel
19th-20th centuryRussianCarved wood
19th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersianChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "dōgubori" (punch-carving), and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseInk and color on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryInk and color on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapanese