c. 1861-1866
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format with a central cartouche, with is flanked by birds amidst floating bouquets. The central image depicts a well-known episode when Shams Tabrizi casts Mawlana’s book into the water, as related in Haji Bektas Veli’s Maqalat (Conversations). The sides are covered with birds and floating blossoms interspersed with portrait busts of young and old dervishes. The base and compartment are painted with a minute gold arabesque on a red background.
3.5 × 3.7 × 21.2 cm (1 3/8 × 1 7/16 × 8 3/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Kakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "dōgubori" (punch-carving), and "hikibori" (pull-carving) techniques
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, platy hematite particles, and lacquer on pasteboard
19th centuryInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "tsukibori" (thrust-carving) techniques; with ink
19th-20th centuryJapaneseBlue-and-white ware: porcelain with decoration painted in underglaze cobalt blue
19th centuryKoreanDark green nephrite with black flects and gray veins (so-called spinach-green jade), the stone of Siberian origin, probably from the area around Lake Baikal
18th-19th centuryChineseCast bronze
17th-19th centuryKoreanWatercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryPersianOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th century