1897
image: 50 x 64.5 cm (19 11/16 x 25 3/8 in.) sheet: 55.3 x 69.7 cm (21 3/4 x 27 7/16 in.)
[Kaare Berntsen Gallery, Oslo], sold; to Philip and Lynn Straus (1972-2012); Lynn Straus, gift; to the Harvard Art Museums, 2012.
Woodcut printed in black, dark blue, brown and green ink, with added green crayon to fill in the missing portion of the green block, on cream Japanese paper
19th centuryNorwegianWoodcut from two blocks sawn into sections printed in orange, blue, dark blue, and green on white wove paper
19th centuryNorwegianWoodcut from two blocks cut into sections printed in gray, bluish black, and deep brownish orange inks on off-white wove paper
19th centuryNorwegianWoodcut in pale rose and pale blue with oil and gouache in black, red, yellow, blue, and green on heavy off-white wove paper washed with brown watercolor to make it a tan shade
19th centuryNorwegianWoodcut printed in black ink with hand coloring in blue, green, orange, and yellow crayons and blue and red watercolor on off-white China paper
19th centuryNorwegianWoodcut printed in black ink and red and blue watercolor on cream wove paper, mounted by the artist on coarse brown paper
19th centuryNorwegianWoodcut printed in black ink on cream Japanese paper
19th centuryNorwegianWoodcut with gouges printed in red ink on Japan paper
19th centuryNorwegianWoodcut printed in black, lime green, red, pale violet, and yellow inks, on off-white wove paper that has been washed with dilute brown
19th centuryNorwegianWoodcut printed in black, greenish gray, turquoise, and pale orange ink on cream wove paper, with dark blue crayon added to minimize the white outline of the man's head and torso
19th centuryNorwegianWoodcut printed in black ink on cream wove paper, mounted by the artist on coarse brown paper
19th centuryNorwegianWoodcut from two blocks cut with a fret saw printed in black, orange, and gray inks on off-white Japanese paper
19th centuryNorwegian