1898
block: 33.5 × 41.7 cm (13 3/16 × 16 7/16 in.) sheet: 36.4 × 46.9 cm (14 5/16 × 18 7/16 in.)
Christian Gierlöff. [Kaare Berntsen, Oslo], sold; to Philip A. and Lynn G. Straus, New York, November 27, 1978, bequest; to Harvard Art Museums, 2023
Woodcut printed in red and three different colors of green ink on tan wove paper
19th centuryNorwegianWoodcut sawn in three pieces printed in black, red, yellow, and blue inks on brown wove paper
19th centuryNorwegianWoodcut printed in black ink on very thin Japanese paper
19th centuryNorwegianWoodcut printed in dark blue, light blue, orange, and green inks on cream wove paper
19th centuryNorwegianWoodcut printed in orange, black, and green inks on off-white laid Japanese paper
19th centuryNorwegianWoodcut in pale rose and pale blue with oil and gouache in black, red, yellow, blue, and green on heavy off-white wove paper washed with brown watercolor to make it a tan shade
19th centuryNorwegianWoodcut with gouges and fretsaw printed in black, reddish-orange, blue, and gray inks on thin Japanese paper mounted on a tan wove sheet, the mount's edges tinted to match the woman's face
19th centuryNorwegianWoodcut from a sawn block in printed in black, red and greenish blue inks on off-white Japanese paper
19th centuryNorwegianWoodcut printed in black, greenish gray, turquoise, and pale orange ink on cream wove paper, with dark blue crayon added to minimize the white outline of the man's head and torso
19th centuryNorwegianWoodcut printed in black, lime green, red, pale violet, and yellow inks, on off-white wove paper that has been washed with dilute brown
19th centuryNorwegianWoodcut printed in black ink on tan wove paper, cut to the image of two heads and laid down on gray-brown cardboard, colored overall with black and red watercolor and gouache, with gold paint in the woman's hair
19th centuryNorwegianWoodcut in printed in pale green, black, dark red, and light and dark orange inks on Japanese paper
19th centuryNorwegian